21 May 2013

(Comic) Cons Leave Lasting Economic Impact

San Diego's Colossal Comic Convention by BuyCostumes.com

Hey everyone, long time no see! I’m smack dab in the middle of summer con season, but today I wanted to share an interesting infographic sent my way last week. It highlights the economic impact of Comic Con on the local community. Now, this shouldn’t come as a surprise to anyone, since many of us who routinely attend cons knows about the beneficial impact of the convention on local business. In a word, powerful. Whether it be a con the size of SDCC/NYCC, or even one as small as BAMcon (which I attended last weekend), conventions bring people to a central location, and give them plenty of spaces to spend their money. 

By now, I’m sure most of you know about the economic impact of Otakon on Baltimore. For years it has been voted one of the best events in the City, because of both its draw and the colorful characters who parade around the Inner Harbor each summer. Anime Boston has been given similar accolades, infusing a wonderful dose of character and culture into an already overflowing urban center known for being colorful in its own right. But aside from them, many smaller towns and cities benefit from having the con in town.

Normally, this is where I would throw the pilgrimage analogy out there: from Reader to Turner, the economic impact of the pilgrimage (or indeed any specialized, collective gathering of like-minded folks) universally builds up local markets and pumps much-needed capital into the surrounding area. As far back as Durkheim’s day, annual ritual events would come with their own purveyors of goods, alongside any local merchants willing to set up shop. Much like a modern dealer’s room, in many cases. But there were also the local shops and cafes that would exist on the periphery, for those “adventurous” enough to venture outside the “sacred space,” in search of new experiences. I’ve written before about the parallels between fan conventions and sacred events, so no need to elaborate that again. It’s one of the constants involved in travel. 

A good recent example would be this year’s Zenkaikon event, held in Lancaster. Local businesses spread the word about discounts and offers to people in cosplay, there was at least one special menu I ran across for anyone wearing a badge, and local vendors had a ball talking with the attendees about why they were there, why they were dressed up, and how much fun the event was. Cons bring people together, give them a positive demeanor, and contribute to a good deal of generosity from both vendor and attendee. 

Now Zenkaikon is a mid-sized convention held in a small city. Imagine the kind of impact a giant convention would hold on a major city? 

Back in 2007, I attended the first New York Anime Fest. Back then, I was just a fan, looking for a good time. One of the limitations that year, however, was the location of the Javits Center in NY. Access to food required a solid walk away from the con, which few people back then were willing to undertake. Fast forward to 2009, and the convention book was actively highlighting local places to hit up for food or additional “geek culture” goods. The partnership continues today.

02 May 2013

study of anime digest 2

Okay here's the deal: I'm about to embark on "Summer Con Season." First stop is Charlotte, NC, for KiraKiraCon, followed by a near unbroken stream of weekends either at cons, or prepping for cons, until after Portcon in June. That's a lot of cons, way more than previous years. Which means I will inevitably be backlogged for some time.

In the interim, while I do my best not to go (more) insane, I present to you some of the collected reviews I've been writing recently. All of these have appeared on Real Otaku Gamer within the past month or so, where I have been doing all my non-ruminatory writing for the past three years. So, if you want to see what I've been up to during the ID project, or just want to read my impressions of various movies/games, click away! Otherwise, I will hopefully see you on the con circuit this summer.

Games You Slept On: Devil Survivor: I took some time to write down a few rambling thoughts on the game that brought me into the SMT franchise back in '09. I'm replaying it in anticipation of a panel I'm co-hosting at AB in three weeks.

Old School Otaku: Great Teacher Onizuka: Recalling the fond memories of one of my favorite manga antiheroes. This needs a re-release, pronto. Preferably in omnibus format.

Evil Dead, a Passive Aggressive Review: I loved the Evil Dead remake. A lot. These are the reasons why.

Spring 2013 Impressions: Part one of a likely three. This is the best anime season I've watched in years. These are my top two picks, and why I love them (albeit, in abridged form).

Real Otaku Impressions: Sasami-san@ganbaranai: And while I'm at it, these were my impressions of the one show I watched during the Winter season. Sasami is so wicked close to being added to my "waifu" list...

From Up on Poppy Hill: I saw the NY premiere. I loved this film, just saying.

And finally, my views after attending Zenkaikon this past March. Seriously, all East Coast congoers need to attend this con at least once.

22 April 2013

ID project: Chris Needham and Finding (or making) Your Role in Fandom


This week's entry into the Identity Project is another one of the "random" ones. I asked Chris to contribute after a wonderful email dialogue opened during the feedback session from last year's AUSA. Here, he documents his own experience to "find his place" in fandom. Much like Ink and Lauren, Chris has utilized "participation" in crafting his fan identity, but his journey was one with a good deal of soul searching and seeking the "right fit." 

Some of us know where fandom fits into our lives, but for others it can be a longer trip through myriad emotions, motivations and self-discovery. Some of us never find our place in the end. But the trick is to never give up. Fandom means something different to everyone: sometimes the search reveals that meaning, and other times the search itself is the meaning.
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12 April 2013

ID project: Lauren Orsini and the Genesis of a Fan


I meet a lot of people at conventions. Lauren first crossed my path at Otakon 2010, when I found myself tweeting at her during a panel I had "taken over" with some other fan scholars. Since then, she has helped me with my writing, introduced me to tons of other awesome people, and has contributed more than a few times to both my scholarly work and my personal ruminations. She runs the blog OtakuJournalist, and is currently compiling a series of lessons on how to pursue a career in documenting your fandom. 

But here, she takes a decidedly different route that speaking about journalism: this is the genesis of her fandom, something I knew nothing about personally, and find to be more than a little similar to my own journey into anime. And while she might call herself a "weeaboo" at one point in here, I leave it to the reader to determine if she is correct in her own self-assessment, or if her journey was indicative of many others.
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02 April 2013

id project returns: sam reader

I met Sam Reader through the AnimeNEXT Nexus LARP group, but didn't realize this until I discovered how many friends we had in common. The head honcho over at Geek Rage, Sam is a critic, gamer, fan and all around interesting guy, whether discussing SF books or bizarre happenings around the tabletop. In his essay, Sam reflects on the "dark side" of fandom, how it has influenced him, and how fandom helped him discover more about himself than he thought.
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